Category Archives: 4 favoriter / 4 favorites

Fyra favoriter 2: Kalle Lind tipsar om böcker om populärkultur

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Kulturarbetaren och humoristen Kalle Lind. Foto: Linus Höök

Snedtänkt med Kalle Lind är en av Sveriges roligaste och mest lärorika podcasts. Skriftställaren Kalle Lind, som själv har encyklopediska kunskaper om populärkultur och nöjeshistoria, bjuder in och intervjuar ”folk som snöat in på udda kultur och märkliga fenomen”.

Ämnena är föredömligt spretiga, handlar om allt ifrån legender som Ricky Bruch, John Waters och Carmencita Rockefeller till svenska pusseldeckare, sex i litteratur och förlaget Galago.

Enligt programförklaringen är Snedtänkt ”podden som pratar om sånt som inga andra poddar pratar om”. Och i slutet av varje avsnitt, som brukar vara ungefär en timme långt, utlovar Lind att nästkommande avsnitt kommer att handla om något betydligt smalare.

Ett varmt tack till Kalle Lind för att han ville medverka och rekommendera böcker om populärkultur. Det här är hans favoriter:

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Peter BiskindEasy riders, raging bulls (Bloomsbury)

En sprängfylld, initierad, engagerad och skvallrig bok om den näst sista intressanta amerikanska filmgenerationen: New Hollywood (den sista var nittiotalsindien, som Biskind skrivit en annan bok om). Här finns historierna om hur Mandomsprovet, Gudfadern och Gökboet kom till och hur mycket koks som gick åt.

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Klas Gustafson – Cornelis Vreeswijk – ett bluesliv / Ingmar Norlén – Jakten på Johnny Bode / Gunilla Ekeroth – Gunilla af Halmstad, ett annat liv i Sverige / Beata Arnborg – Se på mig!

Tre biografier och en memoarbok som tecknar de fyra kanske intressantaste människoödena i svensk underhållningshistoria: den älskade suputen Cornelis Vreeswijk, den avskydde mytomanen och skandalsångaren Johnny Bode, den riksbekanta strippan Gunilla af Halmstad och den kontroversiella divan Zarah Leander. Läs dem och sen har man en bra bild av svenskt nöjesliv på samtliga nivåer mellan 1930 och 1990.

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Håkan LahgerProggen: den svenska musikrörelsens uppgång och fall (Atlas förlag)

Initierad och engagerad redogörelse för en period i svenskt musikliv då din röst var väl så viktig som din röstsedel. Lahger var själv involverad och man ska minnas att hans bok är en partsinlaga som bör kompletteras, men hittills det absolut bästa och mest översiktliga verket om musikrörelsen.

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Hasse EkmanKurre Korint och drömfabriken (Wahlström & Widstrand)

En nyckelroman av Sveriges bäste filmregissör under 1940-talet (sen blev han omsprungen av en kille som hette Bergman) om livet i Råsundas gamla filmfabrik. Ekman visste allt om filmvärldens funktioner och kände alla dess fram- och baksidor. På samma ömsinta men klarsynta sätt som i sina filmer skildrar han allt från försupna vaktmästare till förbisprungna stjärnor.

Kalle Lind

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Four favorites 1: Derek Attridge recommends contemporary South African novels

I recently read a very interesting, rather short but dense, article: “The South African Novel Today”. It begins with reflections about the contemporary South African novel and a shift from an optimistic world view, that followed when apartheid finally was abolished, to a considerably more pessimistic world view expressed in more recent novels.

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The author of the article, Derek Attridge, a renowned South African-born British scholar at University of York, specialized in English and South African literature, then proceeds with an evaluation of the state of the South African novel today and in its recent past. He quotes two new studies on the subject, he criticizes some aspects of the contemporary trend to blend the historical with the fictive, he reflects on broader trends and he engages in a more detailed analysis of one recent novel. The article is inspiring, dense with knowledge and it makes you want to know more about South African novels.

I wrote Mr. Attridge and asked if he would be interested in recommending four of his favorite contemporary South African novels. I’m very grateful and proud to be able to present Mr. Attridge’s recommendations (below) in our new series Four favorites / Fyra favoriter.

Mr. Attridge has written and edited more than 20 academic studies. He has written J. M. Coetzee and the Ethics of Reading (2004) and The Work of Literature (2015). He has co-edited Writing South Africa: Literature, Apartheid, and Democracy 1970-1995 (1998) and The Cambridge History of South African Literature (2012).

These are Mr. Attridge’s recommendations:

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David’s Story, by Zoë Wicomb (Kwela, 2000; The New Press, 2001).

This ambitious novel weaves together two stories dating from either end of the twentieth century: David Dirkse, a former guerrilla in the struggle against apartheid adjusts to the new world of post-apartheid South Africa while exploring the historical roots of his community, the Griqua people; and his possible ancestor, Andrew Abraham Stockenstrom le Fleur, leads the Griquas in a trek to find a new home. Wicomb explores the fraught internal dynamics of the liberation movement, with particular attention to the prejudices against “coloured” (i.e., “mixed-race”) and women members of the ANC in a dazzling, sometimes comic, sometimes chilling, always highly imaginative work.

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The Restless Supermarket, by Ivan Vladislavić (Umuzi, 2001; And Other Stories, 2014). Swedish translation: Snabbköpet rastlös

Aubrey Tearle, the narrator of this novel, is resistant to change, but change is happening all around him, as the fixities of apartheid South Africa tumble in the late twentieth century. He is a proofreader, and his passion for correctness is evident throughout the novel, which relates the tale of the final gathering at the Café Europa in Hillbrow, Johannesburg, before it closes its doors, a victim of the unstoppable transition. The novel includes Tearle’s magnum opus, ”The Proofreader’s Derby”, a nightmarish tale which he has produced in an error-strewn version to test young proofreaders. Through the comedy runs a vein of sadness, as Tearle, for all his absurdity, is a not unsympathetic character. Vladislavić’s superb handling of style is a delight throughout.

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The Heart of Redness, by Zakes Mda (Farrar, Straus and Giroux, 2000; Oxford, 2002).

What is especially striking in this novel is the long view it takes of the history of the Xhosa peoples in the Eastern Cape, in which the apartheid years from 1948 to 1994 are seen onlyas a small part of a much longer story. The work moves between the pre-apartheid past and the post-apartheid present, tracing the long wake produced by the Cattle-Killing of 1856-7 which sealed the subjugation of the Xhosa to the European colonizers. In the present, the people are still divided between the descendants of those who believed the prophecy that led to the killing of cattle and those who didn’t, and the novel brilliantly shows the rift working itself out over the question of tourism in the region.

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Agaat, by Marlene van Niekerk (Tafelberg, 2004; translated by Michiel Heyns as The Way of the Women, Little, Brown, 2007; translation reissued by Tin House Books, 2010). Swedish translation: Agaat

Written in Afrikaans and skilfully translated into English, this magnificent novel uses the extraordinary device of the consciousness of a dying woman suffering from motor neurone disease, and who can only communicate by blinking, to tell the story of family and racial conflict on a South African farm. Agaat (Agatha, but also agate, in English) is the coloured nurse who tends to Milla while also overseeing the farm, in a dramatic reversal of power relations – since Milla had rescued Agaat as a child from extreme poverty and neglect. Set in the dying days of apartheid, the work uses an intense family drama to reinvent the tradition of the Afrikaans plaasroman or farm-novel as a distillation of the country’s tragic history.

Derek Attridge

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